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Moonlight
I awaken suddenly, convinced I've overslept, but the bedroom is still painted in the serene silence of deep night. It's far too soft to hold anything but dreams and the tired musings of sleepless souls. Musings, and the unmistakeable rustling of cotton on cotton. My chest is bare and exposed to the warm summer air, so that means—
I roll over carefully, and Lord, if it isn't a glorious sight.
Rose has always been such a contained sleeper. Flat on her stomach, face cradled in her forearms and toes stretched towards the mess of blankets we've kicked onto the floor—she's a literal line of flesh and curves, drawn across my mattress by some merciful deity.
I reach out a hand before I can stop myself, threading my fingers through the mess of curls spread across the pillow. Makes me wish I were a painter. Maybe then I could capture the way her hair lies like a tangled mess of shadows—pitch-black against the paleness of the sheets.
Maybe then I could save the moment in all its perfection, because it's never the same in the morning. It's always different in the light of day.
The nighttime does something strange to the mind and wonderful to the heart, my mother used to say.
Never court by moonlight, my grandmother used to say. You never know what the morning will bring.
I snake my arm around Rose's waist, marveling at how soft everything is.
Soft mattress. Silk-soft skin and slip-soft sheets. Tendrils of moonlight against tendrils of hair dancing away from a body moving with gentle, even breaths.
(So subdued, so peaceful, so different from the times where she lay beneath me, eyes closed and lip caught between her teeth, with those curls teased and frazzled and fucking perfect, when the moonlight wasn't soft but fiery, unworldly, wild.)
The soft sigh that breaks the tranquil silence comes from my own lips. It mingles with the soft scent of strawberries lingering upon her skin, as sweet as it was all those years ago.
My alarm beeps dutifully at me from its post on the nightstand, but what truly wakes me is the opening of the bathroom door. I open a bleary eye in time to see Corrine emerge, fully armored in business professional and combing her fingers through her cropped, straight hair.
She moves to the dresser and spritzes something from a tall, fancy bottle onto her neck. The smell of strawberries slips through the air, as unmistakable as it is unwelcome.
Corrine catches me staring. "Like it?" she chirps. "Wedding present from your mother."
"It's... it's nice," I manage to say.
I stare at the bottom drawer for a long time after Corrine leaves. Really stare at it. But in the end, I leave Rose's letters where they belong: in a box with all the other tokens of my freely-lived youth.
Other pieces of memorabilia from an adolescence spent running wild beneath the moon, kept hidden away from the revealing light of the rising sun.
Don't marry by the moonlight, my grandmother told me. Some people are like dreams.
Things are always different in the light of day.
I pour the perfume down the drain.
I roll over carefully, and Lord, if it isn't a glorious sight.
Rose has always been such a contained sleeper. Flat on her stomach, face cradled in her forearms and toes stretched towards the mess of blankets we've kicked onto the floor—she's a literal line of flesh and curves, drawn across my mattress by some merciful deity.
I reach out a hand before I can stop myself, threading my fingers through the mess of curls spread across the pillow. Makes me wish I were a painter. Maybe then I could capture the way her hair lies like a tangled mess of shadows—pitch-black against the paleness of the sheets.
Maybe then I could save the moment in all its perfection, because it's never the same in the morning. It's always different in the light of day.
The nighttime does something strange to the mind and wonderful to the heart, my mother used to say.
Never court by moonlight, my grandmother used to say. You never know what the morning will bring.
I snake my arm around Rose's waist, marveling at how soft everything is.
Soft mattress. Silk-soft skin and slip-soft sheets. Tendrils of moonlight against tendrils of hair dancing away from a body moving with gentle, even breaths.
(So subdued, so peaceful, so different from the times where she lay beneath me, eyes closed and lip caught between her teeth, with those curls teased and frazzled and fucking perfect, when the moonlight wasn't soft but fiery, unworldly, wild.)
The soft sigh that breaks the tranquil silence comes from my own lips. It mingles with the soft scent of strawberries lingering upon her skin, as sweet as it was all those years ago.
My alarm beeps dutifully at me from its post on the nightstand, but what truly wakes me is the opening of the bathroom door. I open a bleary eye in time to see Corrine emerge, fully armored in business professional and combing her fingers through her cropped, straight hair.
She moves to the dresser and spritzes something from a tall, fancy bottle onto her neck. The smell of strawberries slips through the air, as unmistakable as it is unwelcome.
Corrine catches me staring. "Like it?" she chirps. "Wedding present from your mother."
"It's... it's nice," I manage to say.
I stare at the bottom drawer for a long time after Corrine leaves. Really stare at it. But in the end, I leave Rose's letters where they belong: in a box with all the other tokens of my freely-lived youth.
Other pieces of memorabilia from an adolescence spent running wild beneath the moon, kept hidden away from the revealing light of the rising sun.
Don't marry by the moonlight, my grandmother told me. Some people are like dreams.
Things are always different in the light of day.
I pour the perfume down the drain.
I have mixed feelings about this one, but in a mostly positive way. The character is well portrayed, the themeing is strong, and while it occasionally slips into purple prose I generally like the descriptions. Where it loses me is the central conflict. Why does he long for Rose when he's married to another woman? Does he dislike her? Was it him "settling"? Or is he just someone who thinks the grass is always greener on the other side?
In short, would love to see a longer version of this.
In short, would love to see a longer version of this.
I feel like changing the tense of one of these parts might make the schism between them stronger.
This has some great elements, and I like parts of it a lot. However, I'm having a little trouble drawing conclusions as concretely as I'd like. There's definitely a narrative in here somewhere, and given the emotions on display it really seems like it's worth uncovering, but in the end... I'm not entirely certain I'm onboard with it. What's he feeling as he pours out that perfume? Is he regretting the past or the present? I can't actually decide, and I feel like a lot of the emotional weight of the ending hinges on signaling that clearly.
As it is, I like this story a lot. However, I think it could hit even harder.
Or perhaps I missed something important in the text.
This has some great elements, and I like parts of it a lot. However, I'm having a little trouble drawing conclusions as concretely as I'd like. There's definitely a narrative in here somewhere, and given the emotions on display it really seems like it's worth uncovering, but in the end... I'm not entirely certain I'm onboard with it. What's he feeling as he pours out that perfume? Is he regretting the past or the present? I can't actually decide, and I feel like a lot of the emotional weight of the ending hinges on signaling that clearly.
As it is, I like this story a lot. However, I think it could hit even harder.
Or perhaps I missed something important in the text.
It's nice, but like the others have said, I think it could've been stronger. Maybe insisting more on the "magic-like" atmosphere during the night, or smashing a harder blow at waking time. As such, it's nice and slick, but maybe too slick to hit the nail home. It needs something harsher, something more violent to be 100% effective.
I need to start with another "rein in your descriptions!" like I did in >>horizon:
- Where is the "rustle of cotton on cotton" coming from if they've kicked the blankets and sheets to the floor? (The sheets had to go with the blankets or he wouldn't be able to see her body.)
- "a literal line of ... curves" >:\
- I am trying and failing to picture Rose's actual pose, "Flat on her stomach, face cradled in her forearms", without ending up with an image like someone in an airline seat bracing for a crash landing.
So, another story with strong narrative techniques and high prose grabbiness that needs an edit pass at the individual-word/description level. And while this has striking imagery and concepts and a strong arc, I agree with above comments that it isn't quite connecting all its dots to bring that arc together, and that it probably just needs a little expansion to finish teasing that out. There's a few too many pieces that don't quite come together for me to "Strong" this, but it's gonna be just a notch below Brother's Keeper in my voting.
Tier: Almost There
Rose has always been such a contained sleeper. Flat on her stomach, face cradled in her forearms and toes stretched towards the mess of blankets we've kicked onto the floor—she's a literal line of flesh and curves, drawn across my mattress by some merciful deity.
- Where is the "rustle of cotton on cotton" coming from if they've kicked the blankets and sheets to the floor? (The sheets had to go with the blankets or he wouldn't be able to see her body.)
- "a literal line of ... curves" >:\
- I am trying and failing to picture Rose's actual pose, "Flat on her stomach, face cradled in her forearms", without ending up with an image like someone in an airline seat bracing for a crash landing.
So, another story with strong narrative techniques and high prose grabbiness that needs an edit pass at the individual-word/description level. And while this has striking imagery and concepts and a strong arc, I agree with above comments that it isn't quite connecting all its dots to bring that arc together, and that it probably just needs a little expansion to finish teasing that out. There's a few too many pieces that don't quite come together for me to "Strong" this, but it's gonna be just a notch below Brother's Keeper in my voting.
Tier: Almost There
This is probably my favorite story in this contest so far. The main reason is that it manages to tell a meaningful story while also completely encompassing the emotion it’s trying to portray. Every line in this story just drips with a sense of melancholy, and never does it feel forced or pretentious. It’s just a small, quiet story about a man (or possibly woman) reflecting on lost love and the emptiness of his current relationship. It doesn’t get any more ‘literary’ than that right there.
A grand exercise in emotion driving a story instead of plot, and being all the better because of it.
A grand exercise in emotion driving a story instead of plot, and being all the better because of it.
>>Dubs_Rewatcher
Okay, I figure I should probably explain this comment. As people who were listening to the Podcast Postshow know, I read this story and had a single comment: "Are we all reading this the same way? This dude fucked his mom!"
That's legit my only takeaway from this fic, and I'm kinda surprised that I'm the only one to come to the conclusion that Rose is the narrator's mom.
Rose smells like strawberries. Later on, Corrine wears strawberry perfume, gifted to her by his mother.
IT'S STARING YOU RIGHT IN THE FACE PEOPLE C'MON
But seriously, if this isn't correct, then your smell motif needs some fine tuning. I really liked the prose in this. It reminded me of a prose poem I would write.
Okay, I figure I should probably explain this comment. As people who were listening to the Podcast Postshow know, I read this story and had a single comment: "Are we all reading this the same way? This dude fucked his mom!"
That's legit my only takeaway from this fic, and I'm kinda surprised that I'm the only one to come to the conclusion that Rose is the narrator's mom.
Rose smells like strawberries. Later on, Corrine wears strawberry perfume, gifted to her by his mother.
IT'S STARING YOU RIGHT IN THE FACE PEOPLE C'MON
But seriously, if this isn't correct, then your smell motif needs some fine tuning. I really liked the prose in this. It reminded me of a prose poem I would write.
The Great
Also well written with a good emotional core!
The Rough
Also has kinda of a problematic thing where the story really doesn't hit the emotional beat it's looking for because there just isn't quite enough for the reader to grab onto. Again, it is possible that that is the intent, but I'm not a huge fan of it.
Also well written with a good emotional core!
The Rough
Also has kinda of a problematic thing where the story really doesn't hit the emotional beat it's looking for because there just isn't quite enough for the reader to grab onto. Again, it is possible that that is the intent, but I'm not a huge fan of it.
>>GaPJaxie I've got almost *exactly* the same thing unwinding with Filthy Rich in Letters From a Little Princess Monster. In short, Rich was in love with DT's biological mother, lost her, and is now marrying somepony else who he has no real affection for in order to give his daughter a mother (which she needs).
>>Dubs_Rewatcher No matter how you write it, if you have a parallel or a misconception in your story, a certain percentage of readers will completely miss the point and go off a metaphorical cliff. I still have readers in my Monster series who think Twilight Sparkle's parents are dead.
"as unmistakable as it is unwelcome" is a wonderful turn of phrase.
>>Dubs_Rewatcher No matter how you write it, if you have a parallel or a misconception in your story, a certain percentage of readers will completely miss the point and go off a metaphorical cliff. I still have readers in my Monster series who think Twilight Sparkle's parents are dead.
"as unmistakable as it is unwelcome" is a wonderful turn of phrase.
Thank you all (including Freud_Rewatcher) for your thoughts and comments. They were insightful and helpful as always, and I will be sure to reference them in the event that I decide to revisit this story.
Good job to everyone and congratulations all around!
Good job to everyone and congratulations all around!