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A Bitter Leaf from an Old Book
The morning sky was as bright as a moonlit night, the landscape of Equestria being dimly lit by the halo of sunlight that shone around the edges of the giant space cabbage. It was visible as a great greenish ring that took up a quarter of the dark sky.
Luna strode onto the Grand Solar balcony, wearing her bunny slippers and bearing a coffee mug with the slogan “Let’s Get Sidereal.” She yawned, and her herbivore’s morning breath, laced with caffeine, killed a passing moth. She shook her head, and jerked the moon perfunctorily into the sky, where it shone with an uncannily bright silver light that spread thinly over the lands below. The bats retired to their eaves and caves, the birds started to sing, and the world came awake, or at least as awake as Luna felt right now.
She turned and shuffled back into the palace, the bunny ears on her slippers waggling, and snagged another cup of coffee from an attendant as she made her way to the Grand Study. On a whim, she cast a spell of silence about her scuffing slippers and tiptoed almost to the door, then made a small chuffing noise against the doorjamb and entered, watching as almost every pony in the room tried not to look as if they were jerking to attention.
It had been a year since the space cabbage had appeared in orbit to block the light from the sun, and Equestria’s brightest scholars had gathered to seek a solution. Luna strode past the bleary and frantic paper shufflers and approached the two ponies in the room who weren’t trying to pretend not to have noticed her–Twilight Sparkle and Starlight Glimmer, who under the pressure of their enormous task had fused their talents into a shining diamond of intense inquiry, working together so well and so closely that Luna had fallen into the habit of thinking of them as one entity named Sparglim.
“Any progress?” inquired Luna. “I cannot force the moon to mimic the solar radiance forever, and Tia grows increasingly… disassociated.” From far off in the castle came a shrill laugh of hysteria, and most of the ponies in the room shuddered.
Sparglim looked at each other. They were naturally hesitant, having tested the Diarch’s patience with many creative but ultimately unsuccessful ideas to remove or bypass the cabbage, including the Mock Suns and the Giant Mirror and the Space Probe Full of Parasprites.
“As it turns out, some long term research is bearing fruit,” said one or the other of them. “We’d noticed that there are markings on the side of the cabbage that faces Equus, and that these markings appear to be more highly ordered than random chance would allow. We’ve been comparing old photos and determined that the cabbage appears to be altering the markings, very slowly, in a manner tied to the seasonal cycles of Equus.”
“We’ve concluded that it is in fact trying to communicate with us,” said the other one, “and that by manipulating the weather patterns of Equus on a truly massive scale, we may be able to talk to it.”
Luna drew breath to speak against this insane idea, but recalling how unhinged Celestia was growing from her thwarted connection to the sun, at last gave her consent.
A great convocation of Pegasi, known historically as a “PegMoot,” was convened to implement the plan. Stationed across the face of Equus, they prepared to alter the weather at Royal command, according to the calculations of Sparkle and Glimmer. It took weeks, but finally the message was spelled out in winds, rains, and hurricanes across the land: “Please stop blocking the sun! We need it!”
Days later, in the Canterlot observatory, the Diarchs awaited the results as Twilight trained a brass telescope on the oleraceous intruder. “Yes, I can read its reply!” she cried. “It’s so unhappy that it hurt us. It’s going to–Oh, no!”
For the cabbage had already burst! Tiny bits like Brussels sprouts fell from the sky, and golden sunlight flooded over the land as before.
“Oh, I wish it hadn’t turned out like this!” cried Starlight. “That poor plant!”
“Sad,” said Luna, “But not unexpected. For, as told in prophecy, When Sparglim writes the clouds, glum slaw rains o’er Sun-block’d horse!”
For a long minute, there was utter silence. Celestia glanced at Luna, intelligence slowly returning to her unfocussed eyes.
“I don’t get it,” she said. “Is that supposed to be a joke?”
Luna strode onto the Grand Solar balcony, wearing her bunny slippers and bearing a coffee mug with the slogan “Let’s Get Sidereal.” She yawned, and her herbivore’s morning breath, laced with caffeine, killed a passing moth. She shook her head, and jerked the moon perfunctorily into the sky, where it shone with an uncannily bright silver light that spread thinly over the lands below. The bats retired to their eaves and caves, the birds started to sing, and the world came awake, or at least as awake as Luna felt right now.
She turned and shuffled back into the palace, the bunny ears on her slippers waggling, and snagged another cup of coffee from an attendant as she made her way to the Grand Study. On a whim, she cast a spell of silence about her scuffing slippers and tiptoed almost to the door, then made a small chuffing noise against the doorjamb and entered, watching as almost every pony in the room tried not to look as if they were jerking to attention.
It had been a year since the space cabbage had appeared in orbit to block the light from the sun, and Equestria’s brightest scholars had gathered to seek a solution. Luna strode past the bleary and frantic paper shufflers and approached the two ponies in the room who weren’t trying to pretend not to have noticed her–Twilight Sparkle and Starlight Glimmer, who under the pressure of their enormous task had fused their talents into a shining diamond of intense inquiry, working together so well and so closely that Luna had fallen into the habit of thinking of them as one entity named Sparglim.
“Any progress?” inquired Luna. “I cannot force the moon to mimic the solar radiance forever, and Tia grows increasingly… disassociated.” From far off in the castle came a shrill laugh of hysteria, and most of the ponies in the room shuddered.
Sparglim looked at each other. They were naturally hesitant, having tested the Diarch’s patience with many creative but ultimately unsuccessful ideas to remove or bypass the cabbage, including the Mock Suns and the Giant Mirror and the Space Probe Full of Parasprites.
“As it turns out, some long term research is bearing fruit,” said one or the other of them. “We’d noticed that there are markings on the side of the cabbage that faces Equus, and that these markings appear to be more highly ordered than random chance would allow. We’ve been comparing old photos and determined that the cabbage appears to be altering the markings, very slowly, in a manner tied to the seasonal cycles of Equus.”
“We’ve concluded that it is in fact trying to communicate with us,” said the other one, “and that by manipulating the weather patterns of Equus on a truly massive scale, we may be able to talk to it.”
Luna drew breath to speak against this insane idea, but recalling how unhinged Celestia was growing from her thwarted connection to the sun, at last gave her consent.
A great convocation of Pegasi, known historically as a “PegMoot,” was convened to implement the plan. Stationed across the face of Equus, they prepared to alter the weather at Royal command, according to the calculations of Sparkle and Glimmer. It took weeks, but finally the message was spelled out in winds, rains, and hurricanes across the land: “Please stop blocking the sun! We need it!”
Days later, in the Canterlot observatory, the Diarchs awaited the results as Twilight trained a brass telescope on the oleraceous intruder. “Yes, I can read its reply!” she cried. “It’s so unhappy that it hurt us. It’s going to–Oh, no!”
For the cabbage had already burst! Tiny bits like Brussels sprouts fell from the sky, and golden sunlight flooded over the land as before.
“Oh, I wish it hadn’t turned out like this!” cried Starlight. “That poor plant!”
“Sad,” said Luna, “But not unexpected. For, as told in prophecy, When Sparglim writes the clouds, glum slaw rains o’er Sun-block’d horse!”
For a long minute, there was utter silence. Celestia glanced at Luna, intelligence slowly returning to her unfocussed eyes.
“I don’t get it,” she said. “Is that supposed to be a joke?”
Pics
As far as hooks go, giant space cabbages are certainly high on the list in terms of grabbing reader attention.
Unfortunately, the rest of the story doesn’t live up to that cruciferous promise. Much of the phrasing feels awkward and stilted, and I’m afraid I understand the pun about as well as Celestia does, which is never a good sign for a feghoot. Even if that was the point, it doesn't make for a good punchline.
Unfortunately, the rest of the story doesn’t live up to that cruciferous promise. Much of the phrasing feels awkward and stilted, and I’m afraid I understand the pun about as well as Celestia does, which is never a good sign for a feghoot. Even if that was the point, it doesn't make for a good punchline.
Celestia's punchline at the end sums up my feelings about this story.
So it's a comedy... but at times it's written like it's meant to be taken seriously.
Maybe the prose is too flowery at times to work for something in this genre, that's probably the case. Also, starting off with a description of the weather is a big pet peeve of mine. It's something I poked fun at in my very first fic, over half a decade ago, and it pains me to see it played straight here.
The giant space cabbage is funny, or rather it's a funny idea, for like a second, but not much is done with it.
And, going back to Celestia's line, what is the joke here? I suspect it's a pun, but I don't get the pun, so I don't find it that funny. Maybe not getting the pun is part of the joke? The ending seems to lampshade this, but I don't know if that makes it better.
At least I laughed a few times, just from the premise and a few small bits, so that's good enough.
I'm feeling a light to decent 6 on this.
So it's a comedy... but at times it's written like it's meant to be taken seriously.
Maybe the prose is too flowery at times to work for something in this genre, that's probably the case. Also, starting off with a description of the weather is a big pet peeve of mine. It's something I poked fun at in my very first fic, over half a decade ago, and it pains me to see it played straight here.
The giant space cabbage is funny, or rather it's a funny idea, for like a second, but not much is done with it.
And, going back to Celestia's line, what is the joke here? I suspect it's a pun, but I don't get the pun, so I don't find it that funny. Maybe not getting the pun is part of the joke? The ending seems to lampshade this, but I don't know if that makes it better.
At least I laughed a few times, just from the premise and a few small bits, so that's good enough.
I'm feeling a light to decent 6 on this.
"Space Cabbage" caught my interest, but never did anything with it.
LoTR reference
That was just about the only thing about this story that I understood. Is there some poem by a 12th century cabbage monk that I'm supposed to know that makes this funny?
“PegMoot,”
LoTR reference
That was just about the only thing about this story that I understood. Is there some poem by a 12th century cabbage monk that I'm supposed to know that makes this funny?
I don't get the feghoot. Clearly "rains" refers to "reigns" but I can't figure out the rest. Reigns over some black doors? When something rides the clouds?
I fear you're too clever for your own good.
The capital S in the first Sparglim is missing italics.
I fear you're too clever for your own good.
The capital S in the first Sparglim is missing italics.
Post by
BlueChameleonVI
, deleted
I liked where it was going. I love the absurd, that space cabbage had potential, it coulda been a contender! Despite not having children yet, I have an (apparently) horrible “Dad” sense of humor. I love me some horrible puns.
But the feghoot... I watch a LOT of movies. I can identify a vast array of movie references from popular, cult, and horrible movies and I’ve read a lot of different genres of novels; I could not identify this reference. I even tried googling variations on it and came up with nothing. And since the point of the whole thing seemed to be the feghoot at the end...
Sorry, but it didn’t work.
But the feghoot... I watch a LOT of movies. I can identify a vast array of movie references from popular, cult, and horrible movies and I’ve read a lot of different genres of novels; I could not identify this reference. I even tried googling variations on it and came up with nothing. And since the point of the whole thing seemed to be the feghoot at the end...
Sorry, but it didn’t work.
Hey! Just wanted to drop by and say this story has done very well on my slate, and it could be because the comedy is so nice and subtle here. Every joke here comes, makes me laugh, and then it's on its way and the story continues, only calling back the joke to honour what it did to the story, not to repeat itself. But then there's another joke! Haha! What fun.
I'm having a different reaction to the prose as some others; I thought it was great. I am a bit of a purple writer so maybe take that with a grain of salt, but still—I thought the word choice was excellent and the tone was rock solid because of it.
Generally, I disagree that just because a story has started with a weather report that it has committed some cardinal sin. The story is about what's happening in the sky. The weather report was required, and it was a fantastic hook. And if it wasn't there, we would be skirting around the hook instead of actually getting it.
Getting to the elephant in the room.. I think the addition of 'PegMoot' works against you. Either let us know at the beginning what you're plotting, or don't say anything until the end. Because hearing the pun at the end is jarring, but with a splash of humour, and being told it's coming earlier than that is just jarring without any humour because we haven't gotten to it yet. Hope that makes sense. The pun also went straight over my head but I won't hold you accountable for that. The fact that, minus the PegMoot, I had no idea what you were up to until the end, shows that a lot of thought and creativity went into this. The scene was believable leading up to it, which is so important in a story like this. I mean, I figure it is. Not like I've ever written anything like it.
As always, thank you for writing and good luck in the shakedown!
I'm having a different reaction to the prose as some others; I thought it was great. I am a bit of a purple writer so maybe take that with a grain of salt, but still—I thought the word choice was excellent and the tone was rock solid because of it.
Generally, I disagree that just because a story has started with a weather report that it has committed some cardinal sin. The story is about what's happening in the sky. The weather report was required, and it was a fantastic hook. And if it wasn't there, we would be skirting around the hook instead of actually getting it.
Getting to the elephant in the room.. I think the addition of 'PegMoot' works against you. Either let us know at the beginning what you're plotting, or don't say anything until the end. Because hearing the pun at the end is jarring, but with a splash of humour, and being told it's coming earlier than that is just jarring without any humour because we haven't gotten to it yet. Hope that makes sense. The pun also went straight over my head but I won't hold you accountable for that. The fact that, minus the PegMoot, I had no idea what you were up to until the end, shows that a lot of thought and creativity went into this. The scene was believable leading up to it, which is so important in a story like this. I mean, I figure it is. Not like I've ever written anything like it.
As always, thank you for writing and good luck in the shakedown!
I spent way too long trying to figure out what that line rhymes with. Still couldn't find anything.
Here's my new theory:
There is no solution. Nobody gets it, not even the characters.
That is the joke. It's like the classic, "why did the chicken cross the road?", setting everything up for an ironic subversion. I mean, it's way too random from the start, I would be surprised if anyone wasn't expecting a ridiculous feghoot at the end. Not bad, I haven't seen this tried before.
Still, the subverted post-punchline needs a lot of work. It's just awkward, and not comedic enough.
Here's my new theory:
There is no solution. Nobody gets it, not even the characters.
That is the joke. It's like the classic, "why did the chicken cross the road?", setting everything up for an ironic subversion. I mean, it's way too random from the start, I would be surprised if anyone wasn't expecting a ridiculous feghoot at the end. Not bad, I haven't seen this tried before.
Still, the subverted post-punchline needs a lot of work. It's just awkward, and not comedic enough.
>>BlueChameleonVI
Sigh. I'm taking this review down. It was extremely bad form to go off on a tangent like this, much less to make such a poor excuse of a "constructive" critique that boils down to reiterating my dislike of the genre. I revoke my comments and confess I screwed up badly.
I still don't like this kind of feghoot fic, but that's no excuse for reacting mean-spiritedly.
Sigh. I'm taking this review down. It was extremely bad form to go off on a tangent like this, much less to make such a poor excuse of a "constructive" critique that boils down to reiterating my dislike of the genre. I revoke my comments and confess I screwed up badly.
I still don't like this kind of feghoot fic, but that's no excuse for reacting mean-spiritedly.
>>FanOfMostEverything, >>PaulAsaran, >>No_Raisin, >>Hap, >>Trick_Question, >>Moosetasm, >>Miller Minus, >>Haze, >>BlueChameleonVI
Bitter Leaf: Retrospective
(I was just eating raw cabbage. Go figure.)
I’m glad that a few people figured out what I was trying to do. It gets lonely sometimes.
I had a string of funny concepts, but no good capper came to mind, so I decided to do an anti-feghoot—something that sounded like an involved and horrible pun, but wasn’t. It seems that doing this sort of thing right is a still more daunting task than writing a standard feghoot, and that it could have gone better. Still, I don’t regret having done the experiment, though I could have made better use of the space cabbage. I’ll probably just find a funnier end for this story and put it on Fimfic.
>>BlueChameleonVI
I didn’t take the first review badly. Thanks for your comments!
Bitter Leaf: Retrospective
(I was just eating raw cabbage. Go figure.)
I’m glad that a few people figured out what I was trying to do. It gets lonely sometimes.
I had a string of funny concepts, but no good capper came to mind, so I decided to do an anti-feghoot—something that sounded like an involved and horrible pun, but wasn’t. It seems that doing this sort of thing right is a still more daunting task than writing a standard feghoot, and that it could have gone better. Still, I don’t regret having done the experiment, though I could have made better use of the space cabbage. I’ll probably just find a funnier end for this story and put it on Fimfic.
>>BlueChameleonVI
I didn’t take the first review badly. Thanks for your comments!
>>GroaningGreyAgony
If it’s a deconstruction of the feghoot genre (is it really a genre?) then maybe just a little more to make it stand out as not a real feghoot? At the end, Luna could actually just say “No, it was a failed attempt at a feghoot.” Which would, ironically, make it a feghoot.
Edit:
Since I’m already being shameless: This would be a feghoot attempt within a feghoot story, feghootception. We’re three feghoots deep!
If it’s a deconstruction of the feghoot genre (is it really a genre?) then maybe just a little more to make it stand out as not a real feghoot? At the end, Luna could actually just say “No, it was a failed attempt at a feghoot.” Which would, ironically, make it a feghoot.
Edit:
Since I’m already being shameless: This would be a feghoot attempt within a feghoot story, feghootception. We’re three feghoots deep!